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Photojournalist and author Paul Conroy talks about his time in Syria and working with journalist Marie Colvin who was targeted and killed in Homs, Syria. Their story is the subject of both the documentary Under the Wire and feature film, A Private War, which is currently streaming.
Photojournalist Kate Frese is known for her dynamic photos of the Philadelphia Flyers hockey team as well as her music and editorial work. Frese is the first sports photographer we’ve had on the pod and we couldn’t have been more excited to talk to her about all things photography and the current climate of sports photography.
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Photojournalist Kate Frese is known for her dynamic photos of the Philadelphia Flyers hockey team as well as her music and editorial work. Frese is the first sports photographer we’ve had on the pod and we couldn’t have been more excited to talk to her about all things photography and the current climate of sports photography.
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“I think we have seen the images of needles searching for veins and people in very sad circumstances, living on the streets or prostituting. Some call this ‘needle porn.’ I don’t have any pictures to add to that sort of reporting,”-Julia Rendleman, from her series ‘A Daily Fight For Control’ featured on The Marshall Project
Julia Rendleman is a freelance photojournalist based in Richmond, Virginia. She has received two grants from the Pulitzer Center on Crisis Reporting – one for a video story about the effects global economics have on Jamaican farmers and another for a photo essay about Bhutanese refugees living in Nepal. In 2010, she was named a Getty Images Emerging Talent Photographer. That same year she received a Getty Images Grant for Editorial Photography for a story about a women’s prison in southern Illinois. Julia contributes to The Washington Post, the New York Times, the Wall Street Journal, New York Times Magazine, U.S. News & World Report, VICE and others. She is listed with other great photographers at Women Photograph.
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This Ep. continues to look a the #MeToo movement in photojournalism with Vox’s Kainaz Amaria. Her piece can be read here.
As Vox Visuals Editor, Kainaz runs an interdisciplinary team specializing in graphics, interactives, photography, data and design. Previously, she was an editor on NPR’s Visual Team. Before all the desk jobs, she was a freelance photojournalist based in Mumbai, India. Her clients included The New York Times, Vogue India, and Reuters. Prior to that, she worked for the St. Petersburg Times in Florida. In 2010, she was a Fulbright Scholar and completed a short film on the Parsi Zoroastrian community in Mumbai.
Her images and multimedia collaborations have been recognized by contests including CPOY, Women in Photojournalism, Atlanta Photojournalism Conference, the National Press Photographers’ Contest and the South Asian Journalist Association. She was named a Chips Quinn Scholar in 2007 and was a graduate teaching assistant at Ohio University.
Kainaz joined the multimedia team at National Public Radio (NPR) in December 2011, and is currently based in Washington, D.C.
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“The IWMF works to unleash the power of female journalists to transform the global news media. Our fellows and grantees — both freelance and staff journalists — become experts in reporting in underserved regions, generate must-read stories, align with top outlets, and bring critical issues affecting women and others to light. We are the only organization that provides safety training, byline opportunities, and emergency support tailored to female journalists and photographers around the world.”
Heather Gies
To Donate click HERE
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Kristen Chick is a freelance journalist who covers migration, women’s issues, and human rights in Europe and the Middle East. She has been published in the Washington Post, LA Times, Foreign Policy, and others.
Her explosive piece about sexual harassment in the photojournalism community for Columbia Journalism Review can be read here.
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Laura Beltrán Villamizar is a photography editor and writer born in Bogotá, Colombia. She is the Projects Picture Editor for NPR, working with the organization’s growing efforts to shape their enterprise visual journalism. She is also the founder of Native – a non-profit platform dedicated to the promotion and development of visual journalists from under-represented regions and communities. Laura has written extensively on localize non-western visual journalism and photography for Nieman Reports at the Nieman Foundation for Journalism of Harvard University.
Before founding Native, she worked at the World Press Photo Foundation, where she led educational programs in Latin America and co-produced the yearly Joop Swart Masterclass in Amsterdam.
Prior to joining World Press Photo, she was Associate Photo Editor for Revolve Magazine where she oversaw long-term features, international commissions for print and online, and curated the magazine’s emphasis on visual storytelling.
Laura has served on the jury for The Catchlight Fellowship 2018, The FENCE at Photoville in 2018, and The Sinchi Photography Competition for Indigenous and Native Photographers 2017. She was also selected for the Alexia’s Foundation Seminar: “Latin America: Stories That Drive Change” (Miami, 2017). Laura currently lives and works in Washington, D.C.
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This week we talk to photojournalist Smita Sharma, about her work which covers India’s domestic servitude abuse, sex trafficking in Central Africa Republic, child brides in Nepal, and more. Smita Sharma is an independent photojournalist based in Delhi, Kolkata and New York. Her work primarily focusses on gender violence and human rights issues.
Her work has been published in various international publications including CNN, The Washington Post, New York Times, BBC, TIME Lightbox, The Globe and Mail, Spiegel, Channel 4, Quartz, Caravan Magazine, Newsweek, Human Rights Watch among others. Her work has been screened and exhibited in various countries including USA, India, Cambodia, Myanmar, South Korea, France, UK and Saudi Arabia.
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This week we talk with prolific documentary photographer Daniella Zalcman about her insight into colonialism in the United States, as well as her role as founder of Women Photograph, a project elevating the visions of women and non-binary photographers world wide.
Daniella Zalcman is a documentary photographer based in London and New York, whos work focuses on the legacies of colonization, from the rise of homophobia in East Africa to the forced assimilation education of indigenous children in North America. She has received the Pulitzer Center on Crisis Reporting grant, is a fellow with the International Women’s Media Foundation, and the founder of Women Photograph.
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What does it mean to work as a team- and to give your subject a direct hand in making their image? Gabriella and Mark discuss working with incarcerated women, and the collaborative relationships that they have formed.
Gabriela Bulisova and Mark Isaac are documentary photographers based in Washington, DC. For the past seven years, Bulisova and Isaac have collaborated on projects focused on mass incarceration. Their current work highlights the criminalization of mental illness and the trauma to prison pipeline for women who have experienced abuse. Bulisova and Isaac will be spending the coming year in Ukraine, working on projects supported by a Fulbright grant.
